It is with great pleasure that we announce the 2018 Cyprus Open Studios event! We sincerely hope that you will be able to join us again this year.
In order to make your “treasure hunt” as pleasant as possible, we would like to recommend that you follow these links:
This is the link that will take you to our page on the website where you can download our 2018 COS catalogue. Please click HERE
This link will take you to the READ ONLY catalogue on issuu.com (click on the address).
In order not to be disappointed as sometimes artists change their minds… please download the UPDATED Open Days Schedule HERE
Remember to look out for the banners outside each venue and directional signage to guide you in.
There are a few points we need to bring to your attention:
This year, we are doing open studios for 10 consecutive days instead of the four weekends as in the past.
Opening hours: 11:00 until 17:00 each day (except Limassol gallery – see note below)
The members at each venue have elected certain days out of the 10 to be open; some have elected all ten whereas others have chosen only two or three out of the ten. PLEASE consult the individual member’s entry on the website to avoid disappointment: cyprusopenstudios.com > Members.
If possible, we would also recommend visiting our Facebook page to see an ongoing dialogue between us and the public – it’s a fun place to read all about it: HERE
A group of artists who either do not have studios or who are out of the country at present, have decided to make use of a gallery in Limassol where you will be able to see their work during the 10 days of Cyprus Open Studios.
The gallery is called Art Studio 55 / Pegasus Foundation and is located at
23 Andreas Drousiotis Street, Plateia Heroon (Heroes Square), Limassol, Cyprus
PLEASE NOTE that the opening hours at the gallery are different from the open studios, e.g. 18:00 until 21:00 daily between 5 and 14 October 2018.
Some of the exhibitors will be on hand from time to time to receive you, have a chat and make you welcome.
The gallery will be manned during opening hours each day.
We wish to take this opportunity to thank Andreas Makariou of Pegasus Art Foundation for the use of this gallery – Andreas and his son, Demetris, will both be exhibiting as members of Cyprus Open Studios 2018.
A few of last year’s open studios… they are all fun to visit!
Registration for Cyprus Open Studios 2018 is now closed.
According to Wikipedia:
Open studio concept
A studio or workroom which is made accessible to all-comers, where artistic or creative work can be viewed and created collaboratively. An Open Studio is intended to foster creativity and encourage experimentation in an atmosphere of cultural exchange, conversation, encouragement, and freedom of expression.
And they all did it!
Anthony Micallef, Richard Diebenkorn, Picasso, Norman Rockwell, Monet, Toulouse-Loutrec, and de Kooning
We are NOT agents or representatives of particular artists
We do NOT sell anything
What we ARE:
We are an organisation assisting creative people get recognition in the public domain
We provide a platform for this via our website, Facebook page, Instagram, LinkedIn, Twitter, and our blog
Annually in October we assist visual artists in Cyprus physically to connect with the public by opening their studios and work-spaces
For those participants who do not have, or do not wish to, open a studio, we offer a ‘Members Only’ facility which provides them with a full page website entry
We also try and assist with alternative space
Members remain visible through our website during the current year and thereafter in our archives
For this annual event we provide a printed catalogue and supporting promotional material
This catalogue is also published on the global platform of issuu.com
This is valuable for sponsors and advertisers
We organise, through our international division, exhibitions abroad for members of Cyprus Open Studios under the banner of Open Galleries Abroad (OGA)
Much has been written about the methodology of our organisation, both on our website and on our blog, especially over the last five months. If you wish to learn more about our organisation, please do a bit of reading and/or contact us:
There is very little in life that irritates me more than waiting… patience is not one of my virtues! They say that everything comes to those who wait; I say: eventually! I think we all want it now…
Apparently, it’s a millennial thing but I don’t even have that excuse… I’m from the rock ‘n roll era where everything was done with enormous energy and gusto.
The 1st of March 2018 sees the start of this year’s Cyprus Open Studios event when registration opens. The deadline for registration is 30 June 2018, which will give us just enough time in July to put together the information for the catalogue to go to the printers. As you know, August is holiday-month in Europe…
You have 4 months to register – do not delay – you will not be included
if you miss the deadline!
Please go to: www.cyprusopenstudios.com and click on Register here> Cyprus Open Studios – the form for online registration will pop up and further instructions will be sent to you by email.
This year, Cyprus Open Studios will take a different shape: We will be opening our studio or work space doors during a consecutive 10-day period, e.g. from 5 to 14 October 2018 and you can choose any days in that period… but at least two days. We would strongly recommend including at least one weekend.
The reason for this is that, in our experience, the four weekends that we opened in the past, is just stretching it out a bit too long; by the third and fourth weekends, both artists and visitors got a bit tired… By compressing the time period, we will also be able to push more resources at it and make it sparkle and shine!
When you register, please make sure you have read the terms and conditions at the bottom of the registration form. The fee structure has not changed since we started in 2016 apart from one additional option: You may become a member only (non-participating) for €35,00 if you truly, honestly, absolutely do not have a space to invite visitors into. However, if you DO wish to be a participating member and wish to share with other artists at their venue, please contact us and we will see if that could be arranged. We are also looking at alternative venues such as community centres, schools and other possibilities. Your suggestions would be appreciated!
We have secured space in Limassol at ART STUDIO 55, which is provided by the Pegasus Art Foundation, from 5 to 14 October 2018 inclusive. Please see their Facebook page here:
The catch is that the artists who choose to use this space will have to curate the show themselves AND be in attendance for the duration of the event. You will be able to work on the spot which is exactly what we aim to offer the public: to see the artist(s) at work and available for conversation. Obviously, a rotation ‘duty’ schedule will have to be worked out. HOWEVER, the cost for using this space will be €145,00 per artist and you have to be a member of Cyprus Open Studios at €35,00 for the year – we need to include you on the website. The upside is that there will be no commission charged on sales! And the space is very centrally located at Hero’s Square, next to the Rialto Theatre. Further details will be provided on request.
PLEASE NOTE: this option is NOT included on the registration page – if you would like to make use of it, please contact us at email@example.com
In order to attract more visitors to the studios, we are offering TWO OPTIONS of prizes to be won:
3 nights FREE accommodation (see images below) on the Greek island of Kalymnos in 2019, depending on availability. Full details of the prize will be advised as soon as we have tied it all up – it’s gorgeous! All the winner needs to do is… GET THERE!
4 FREE sessions of lessons with a professional artist – the winner will be able to choose between several who have offered this option! Again, more details on the website very soon!
If that does not encourage visitors to your studio or work space, we can’t guess what will…
INVITE A FRIEND FROM ABROAD
We would, once again, encourage participants to invite an artist friend from abroad, who will be hosted at their home and share their COS space – FOR FREE! Yes, we will not charge a registration fee for your friend! Think of a dear friend whom you have not seen in a while and invite them to share the Cyprus art experience – they will love you for it!
OGA – OPEN GALLERIES ABROAD
This activity is part of the Cyprus Open Studios operation whereby we handle everything on behalf of each artist, from registration for each event to returning unsold pieces… and everything in between! More on the website very soon! See our previous blog post.
And the art is on its way… the pieces will be packed in a wooden container, which should keep it as safe as possible. Really exciting, isn’t it? We wish each participating artist the very best of luck!
Until the next one, keep on creating! And if you are not a creator, join in the fun by visiting studios in October!
Yes, 9 weeks before the first Cyprus Open Studios 2017 weekend…
Are you ready?
We would urge you to read your handbook and see what needs to be done and when. You will soon receive the final draft of the catalogue with this year’s schedule to proofread and sign off. You will also soon receive the order form for promotional material such as the number of leaflets and posters, directional signage, etc. Here at the virtual office of COS we are not on holiday…
However, what we would like to share with you is a really interesting collection of famous (and not so famous) artists and their studios, giving you an insight into why the public love to visit YOUR studios – they want more of what you’ve got! Let’s give them satisfaction and let them experience the agony and the ecstasy of what it means to be
Have a look at these; they really are fascinating!
Have fun with your summer holidays but don’t forget that there are only 9 weeks before we have to be on show! Exciting, isn’t it!
We have a few plans up our sleeves for 2018 as all the excitement of Pafos2017 will have passed – we need to carry the momentum into new projects to get more and more exposure, here and abroad, for our beloved artists and artisans who live and work on our Island of Love!
She’s beautiful, isn’t she!
From the COS Team – till next time!
P.S. Apologies, but we do not know who to credit for the image – no intention of copyright violation.
Stepping up to the plate is a baseball term and in essence means: Throw me that ball so that I can hit it for six!
Life has a way of throwing curve-balls at one. If you know anything about cricket, there are more ways to throw a ball than batsmen would like, especially Shane Warne’s googly. We are all batters or batsmen, constantly stopping those balls ending our innings.
Now that had absolutely nothing to do with art or artists! Just felt like having a bit of fun…
Sometimes that canvas sits on the easel and you look at it with suspicion; it could at any moment throw you a ball you were not expecting. It could go either way, causing you to have a brilliant end product or… binning it. I’ve had one on my easel now for the best part of five or six weeks which started off really well. Then came the ‘leave it for a bit’ period and let it talk to you. Well, this one spoke loud and clear and said it was all wrong. Scraped off lots of the oils in certain places and let it rest… and that’s where it still sits. I honestly feel like binning it, as the only way I could rescue the thing would be to use my electric sander and get rid of all the impasto oil paint – and start again. Time will tell…
The time I spent learning from Jerry Fresia at Lake Como in Italy resonates within when a painting doesn’t work. His lesson was simple: When you paint, become more of yourself. He was so right!
This makes me wonder how I could wander so far away from myself when I painted that painting – or attempted to paint that painting! Where did I take the wrong turning? Time to retrace my steps and look again.
So it is with the creation of all art; we need to keep on track, stay focused and aim for self-satisfaction. There is nothing Narcissistic about that; you simply do what you were put on this earth for in the first place: to create. Reach for that place within that makes your Being sing with joy!
I guess that is one of the reasons – if not the main one – why we love doing what we do with Cyprus Open Studios. It is almost as good as going to an art gallery or museum, familiarising oneself with the work of the wonderful creators who live and work in Cyprus. We feel as if we are getting to know each one rather intimately when they share their reasons for creating their art, even though we have never met.
The good news is that we do have the opportunity to meet these creators of beauty and joy – each October during Cyprus Open Studios month. We are still accepting registrations until the end of May!
More good news is that we will be hosting, in collaboration with Paphos2017, a one-day open studios event in Makarios Street in the old town, between the market and Kennedy Square.
Several of the shops selling arts and crafts will also be participating, with artists working on the spot and ever ready to tell you more about their techniques, passions and inspirations. Pafos2017 will be creating a route map and COS will be in one of the shops currently awaiting a new tenant, where visitors will get a taste of what’s in store in October. We would love to see you there – watch the press for further details and we will also keep you updated on progress on Facebook, Twitter and Instagram.
Last, but most certainly not least – in case you have not seen it before, COS actively assist artists to exhibit in London at prime venues. Six COS members tried their luck with the Royal Academy of Arts and, following on, can be seen at the Salon des Refuses venue in Islington from 1 June 2017.
We are preparing to follow on to another venue later – more information will follow once available.
Opportunities arise all the time and it is heart-warming when someone from abroad, planning a visit to Cyprus, contacts us to ask for information about workshops. That is where we want to be! It is not all about October; it is all about the entire year of your membership!
In closing, this quote from the Dalai Lama caught my eye:
“The intelligent way to be selfish is to work for the welfare of others”
As we come closer to the October event, things hot up. Don’t simmer on the back burner – get to the fire and get hot!
We are just reaching the end of the Early Bird reduced registration fee structure and although quite a few have grabbed the opportunity, many are still simmering… However, no need to panic! As from 1 March until 30 April 2017, registration fees are exactly the same as they were last year. This is, of course, extraordinary as we are offering more than ever before!
Here at the virtual COS office we are working towards making the experience more and more exciting and this year, we have added the opportunity for professional artists to be selected for gallery exhibitions. This is a first! The attraction is the price. For a flat fee – way less than galleries usually charge – you will have the full force of Cyprus Open Studios (COS) promotional machine behind you. If you are selected, you will be listed under the separate heading of Cyprus Open Galleries on the website.
If you do not get selected by the galleries who are hosting this year, we would strongly recommend that you team up with each other or with other artists in your area to open a studio space together. If you have any questions about this process, please contact us for further details. It is an opportunity not to be missed!
One of the points he made was this: With more and more open studio events appearing around the country, this is a great topic. An open studio tour can be a great way to get your feet wet if you’re new to the art market, and for established artists it can be a great way to build connections directly with art buyers.
And the other point that really impressed me was this: If you think about it, it’s almost like a treasure hunt. Participants are provided with a map and then get to plot their course from studio to studio looking for art that grabs them. Participants also get to meet the artist. Art buyers love this! While it’s certainly possible to fall in love with a piece of art for its own sake (this happens all the time in the gallery), it adds a whole new dimension for clients when they can meet the artist.
At COS, it is our mission to make the experience of both artists and visitors one to be remembered and also to create the desire to do it again next time.
Another first for COS is that we have assisted 6 artists to register for selection at the Royal Academy of Art in London; their Summer Show is one that artists will forfeit their eye teeth for! The 6 artists are all members of Cyprus Open Studios and we will do everything in our power to make their experience as painless as possible.
The Royal Academy of Arts London
Should they not be accepted by the RA, they will automatically qualify to be exhibited at the Salon des Refuses, also in London. No mean ‘second prize’ – and yes, we at COS are assisting with that too.
One of last year’s Salon des Refuses summer shows.
There are several other opportunities abroad and when we have further information, it will be shared on our blog – follow us by adding your email address in the space to the right and you won’t miss out!
However, if you wish to participate in exhibitions abroad under the Cyprus Open Studios umbrella, you need to be a member. Don’t be shy – have a look at our website which is growing with 2017 members – and complete the registration form. Registration closes on 30 April 2017, which will be extended until 31 May 2017, but with a small penalty for late registration.
Have a look at the FAQ if you are unsure of the procedure; if you cannot find your answer there, please contact us either via the website or by email at firstname.lastname@example.org – we would be delighted to help.
We have often heard and read about artists toiling away in cold attics in bitter winters with no hot water and six flights of stairs under snow. Well, in this day and age there is no need to starve, or commit suicide, as an artist.
These days, what we hear a lot is: ‘I’m not really good with a computer’… Our advice is: Get better! It can only improve your chances of success if you know how to handle emails and images as there will always be people like us at COS who are ready to help you promote your art. But you need to get your skills honed not only to produce your ‘product’, but also to ‘launch’ it.
If you think we can help, send us a email… yes, that’s the way to do it!
Angela runs the Kouklia Artworks, an Aladdin’s Cave of artistic treasures, where she represents many talented and creative people.
However, I wanted to find out a little more about the person and set out with some questions and a notebook.
Maria Etheridge: When did you start painting? Has it always been a passion or are you a ‘late bloomer’?
Angela: I can’t really remember a time when I wasn’t sketching and painting, in fact I can remember drawing on my bedroom wall, and indeed, on the classroom floor when at Infants’ School – so I guess it’s always been a compulsion with me. I went to art school many years ago – back in the ‘70s – Leamington Spa, but then followed the family trend and pursued what appeared to be a ‘safer’ career in Social Work. However, my artwork has been a real bonus in working with people, so ‘it has always been there’, as part of my working life. I have used my art professionally throughout my career, without the specific title ‘Art Therapy’.
I suppose I may be referred to as ‘A Hobbyist’ by some. However, now having time to develop, I enjoy an excellent turnover of sales and demand, therefore let’s hear it for ‘The Hobbyists’ as it is possible to enjoy a great deal of success and recognition.
M: Do you only use acrylics or do you work with other mediums too?
A: I will use any medium. For portraiture I prefer oils, but have produced work in watercolours, pastels, and colour pencils, plus other media. I use acrylics for my ‘series’ paintings as I find it the fastest medium, and some of these paintings are very detailed, and require an amount of ‘easy layering’. My caricatures are pencil sketched, scanned to the computer, and colour applied with a ‘digital’ palette.
Drums, a portrait, and two from ‘Cyprus Life’ series
M:What do you believe is the key element in creating a good composition?
A: This so much depends on the subject. I’m aware of all the formal ‘rules’ – however, for me there must be ‘points of interest’ which draw the eye to different parts of the whole. If there is space, this too should bring ‘something to the plate’. I look for light and depth, and a composition which ‘tells a story’ or stands in its own right as a single item.
M: You have created series of paintings under the headings of Cyprus Life, The Professionals, Musicians in Hats and so forth. Could you tell us a little more about each series?
A: When I first came to Cyprus I followed the usual route of seascapes, sunsets, doors, etc. – there was inspiration at every turn, together with the ‘time to do it’. However, being among ‘the people’ and listening to their stories, I found a catalyst which lead to the Cyprus Life series, all of which are the result of things which I have observed, or things which have been said, around me. I believe I have a good sense of humour and can usually see the amusing side of life, therefore the style appealed more and more, both to myself, and as it turned out, to ‘the market’ which spurred me on to capture the continuously appearing material onto canvas. I discovered that I was actually smiling whilst I painted and new ideas emerged.
Foreign Delegates, the latest one, a local inhabitant, and a Stormy Kouklia Sunset
From this came the Professionals – having realised that I had ‘a style’ which people appeared to enjoy – I was inspired by stories from a number of people in different professions – and having painted ‘Yes, Chef’ (because we were once involved with the Hospitality trade) – I decided to expand on this. Like Cyprus Life – some of the paintings have real people in them, some don’t but for the Professionals series I always take advice as to how far I can ‘push the boundaries’ and still remain credible.
I am an amateur musician and wanted to create a series to celebrate this. It’s a very different style to my other series, because the focus is different, i.e. I was particularly interested in encompassing lighting, posture, and the interaction between the instrument and the musicians’ hands – hence just the ‘tilt of a hat’ and no face. Having started with the series, people commissioned pieces with specific instruments in the same style – so the collection grew.
I then did a ‘Family Group’ commissioned painting for a customer in UK, in a similar style, and have since been commissioned for these highly detailed and personalised paintings.
There are paintings and prints from these series now hanging all over the world, and I often take orders through the Kouklia Arts website which are delivered direct. Many images work well as merchandise, so they are printed onto mugs, key rings, fridge magnets etc., my theory being that if you like the image, then you can buy it at a range of prices and in a number of forms – but there is only one original!
M: Your paintings seem to have a humoristic twist and are expressed in naïve style. Would you like to expand on that?
A: The style is just how they ‘come out’ – nothing thought through or contrived. In fact, the figures are often slightly out of proportion, but it appears to work. I don’t usually have references for these pictures – just the overall concept and ‘shape of composition’, so each is a journey and most of the figures and faces present themselves to me as the work develops.
For the Professionals I do a good deal of research to ensure that details are correct, although they may well then be distorted to suit the humour of the work.
I get great delight from the ‘license’ which these subjects give me, i.e. I look at the clock on the operating theatre wall and think: ‘Hmmm – what to do with that’? Like many offices, they may have left behind a Christmas decoration or two, and in a hospital setting, this may well be a blown up latex glove, so in goes the glove, holly and ribbon.
Sometimes people say my paintings remind them of ‘Beryl Cook’ style, although I say my style is very much ‘Beryl Cook meets Giles’, which would make sense as I used to pour over the Daily Mail Giles cartoon books for hours, enjoying the depiction of the interaction between people, and the little details that you don’t initially notice.
M: Do you use other styles of expression such as abstract, still life, or any other?
A: I have a wide range of works including still life, abstract, and much more – some of which are on display in the studio. The demand to develop new images in the cartoon painting style means that other subjects are rare for me nowadays.
I take great delight in painting trompe l’oeil, (trick of the eye) and have painted on several walls in Kouklia. I have also ‘reverse glass painted’ a series of ‘stained glass’ windows in Konia.
I also create digital pictures which I have transformed into two animated movies ‘(The Adventures of Noggin Clontith). I have written and illustrated children’s books, namely The Adventures of Noggin Clontith, Cyber-Gran, Olivia and the Dinosaur, and The Adventures of Padistan Bear.
I have been very pleased to create props, staging and backdrops for Kouklia school and Youth Club plays, and a number of Taverna signs around the village.
M:Tell us a little more about your charity work, especially with regards to the cats. And how you raise funds and awareness, please?
A: Ah, the cats – actually, I wasn’t really a cat person before coming to Kouklia, but there they were – just everywhere, and we found kittens needing shelter – so off it went – cat rescue, both at home and the studio. Then I met Cynthia Smith, from Mandry’s Fund charity, and became involved in the Trap Neuter Release programme. We have an ideal location at the studio, and cats gather each day for feeding, so we are able to trap them for neutering.
We sell second hand books at the Gallery to raise money for the charity, plus I have painted a picture especially (Caterwaul) for the Cat Charities, for which they have the copyright, and can create merchandise to sell. I am currently doing the same for the dogs.
I’m also involved as an advisor / consultant with the Aiya Napa / Famagusta Autism Parents group, who are incredibly driven, and are working toward the first residential and respite Autism unit in Cyprus. I have pledged to create a specific merchandising image, for them also.
Indeed, I am a very busy person, having Management and Autism as key specialities. I am involved with a 3 year EU funded project developing Parent Training in 4 European Countries, which takes me to some interesting places. I am also delivering Soft Skills training, again EU funded, in other parts of Europe including Cyprus, plus Management training in Abu Dhabi, so there is not a great deal of down time.
M: You are participating in, and are hosting five other artists for the Cyprus Open Studios. Please tell us if the public should be aware of any particular points that will make their visit to Kouklia Artworks as pleasant as possible. How easy is parking, for instance? And what should they be looking out for as landmarks.
A: I am really thrilled at the team who will be exhibiting for Cyprus Open Studios! Between us there is a range of works and styles, and all of us are ‘on our journeys of development’, and therefore it is interesting to see how people have varied their subject matter over time.
A taste of the other participants at Kouklia’s work
As well as paintings, visitors can see a range of other items produced by the artists.
At one time the Capital City of Cyprus, Kouklia is a destination village, boasting Aphrodite’s Temple, the medieval fort museum and a ‘real feel’ of Cypriot Culture. There are a number of Tavernas where you can sit and watch village life, and enjoy good food and wine.
The Studio / Gallery is situated just off Kouklia Square, in a building which, I believe we have ‘authentically’ restored, between Sophia’s and Gabriel’s Tavernas. There is a main car park just before the square, or near the Temple entrance.
M:And how long have you operated in Kouklia?
A: Kouklia Artworks was established 3 years ago, and provides the opportunity for Artists and Crafters from as far away as Nicosia to Polis to display and sell their work. We have a number of different nationalities, producing a variety of styles and products.
There is a small classroom to the rear of the Gallery, where I give painting / drawing and other classes to both children and adults.
M: As one of the organisers of Cyprus Open Studios, I wish you and your fellow participants great success in this year’s event – we are planning to make next year’s event bigger and better! Thank you, Angela.
Ed.~ To see all the participants in Cyprus Open Studios, please visit our website, download the catalogue and do a final check of the revised 2016 schedule – all on the website: www.cyprusopenstudios.com And don’t forget to get your entry form signed by four participants (in different locations) to stand a chance to win a voucher for €150,00 sponsored by www.art-en-route-cyprus.com – and have fun!
Please note that all images are subject to copyright laws and copying may result in legal action. Permission to reproduce images must be obtained from the authors mentioned in this post.
These days there is a lot of talk about ‘mindfulness’ and the other day I came across a lecture that covered sending ‘mindful’ emails. The lecturer suggested that when you type an email – and this would particularly apply to bulk mailings – that you should NOT click on that SEND button as soon as you think that you are done.
An experience I had a few days ago made me realise just how correct she was! Of course I should have taken my ‘day of rest’, but knowing how much there still was to do, I pushed on regardless.
The lecturer suggested that after you have finished the email, you should take three deep breaths
and then read the email as if you were the recipient. Personally, I think you should take three deep breaths, get up and make yourself a cup of tea, have a meal or go for a short walk and then come back and read it like the recipient – and then take three more deep breaths before clicking SEND!
The other thing I would recommend is that you never send out anything that you have prepared whilst not 100% alert.
That applies to your Christmas letter or six-monthly family newsletter too!
Since January we have been intensely busy with compiling information, learning new tricks, jumping through hoops and about a week ago, I was ready to play dead.
However, it was time to SEND our personal group invitation to the people in my address book as there were about two weeks left before the first weekend of the Cyprus Open Studios 2016 event at my studio. I very proudly prepared the invitation, thinking that I was Oh, So Good! And then something happened, keeping me humble: I put the incorrect dates on… and had sent it to about 400 people! That darn SEND button!
My forelock was pulled down to my chin in apology, my knees were raw from begging for forgiveness and my face could not get any redder. Not only were the last nine months a steep learning curve, but this incident taught me never to assume there was nothing more to learn!
The good news is that all the participants have now received their printed catalogues and are making their own preparations for their open weekends, gearing up to make visits to our creative spaces as enjoyable as possible.
Printed catalogues are limited but everything is on our website.
We also offer a PRIZE DRAW – entry form downloadable from the website. Yes, you can win a voucher to use towards either acquiring a piece of art, sign up for a workshop or take lessons – art-en-route-cyprus.com is contributing €150,00 towards the cost. Perhaps next year you would like to join in the COS event too after you have had your lessons or workshop! Here is a mosaic workshop at Mary Chojnowski’s studio in Tsada.
We are full of great expectations for 2017 and have already started planning ahead. As you may be aware, Paphos is the twinned European Capital of Culture with Aarhus in Denmark for 2017.
Aarhus emblem Paphos emblem
We have a few visiting artists for the 2016 event from the UK, the Netherlands and Ibiza, and next year we would like to concentrate on inviting some Danish – and other Scandinavian country artists to join us for the 2017 event which is once again planned for October. If you have artist friends from that part of the world, invite them and ask them to get in touch with us – it will be great fun! All contact information is on the website.
There is something else you might like… We are going to feature interviews with artists on our blog, showing you a bit more of who they are, what they do and why they do what they do. We are planning to do this on a regular basis and will do our best to bring you interesting news, views and happenings.
Publishing is a painful experience… especially a website!
If you are an author, or have a friend who is one, you will either know – or have been told – that getting anything ready for publication is a painful exercise. Getting something ready for a website is no less painful – in fact, I think it is even more painful as you have to engage in combat with an electronic entity that only exists in the ether. And then there is the language that is entirely invented and has no roots anywhere. On top of that, those who claim to be experts use a jargon only known to the in-crowd.
Another by-product is acquiring square eyes… not to mention the painful neck and back!
Yes, I have been through the mill since January, the learning curve almost impossible to navigate as it was so steep. I have learned though! I’m quite proud for someone of my seniority to have accomplished the feat of preparing the Cyprus Open Studios website.
No, I didn’t do it alone – Daniel Economou prepared the ground and I am grateful. Especially sometimes when I felt like ‘curling’ up and dying…Without his help I would still be at the bottom of the hill… And next year, it will take on a whole new life – we have plans!
I would also like to say a huge THANK YOU to my two partners, Nora Hadjisotiriou and Marina Emphietzi-Harris for the translations and the work they have put in so far. We have a long way to go before we can sit back and enjoy the fruits of our labours in the form of watching visitors arriving at the artists’ studios in October.
We can dream, can’t we?
Right now, we are excited and fairly happy with the response we have had for this year’s event – you can view all the participants on the website in both English and Greek: www.cyprusopenstudios.com
There are still people out there who have no idea what we are about. This is now your job: tell people about us and what we do! Word of mouth is a wonderful advertising tool. We would like Cyprus to be abuzz with art talk, especially during the month of October. We want lots and lots of visitors to stream through our studios and work spaces and other venues where we are set up and working – we want to tell the world just how marvellous we are!
Tell the world! Tell the world!
A few technical points need to be covered:
1. Have you studied the COS Participant Handbook? Please do – there are numerous tips and tricks to help you make your event a better one.
2. Have you printed out the forms (advertising and sponsorship) and started approaching people who are interested in becoming involved in the largest art happening-to-be in Cyprus? If not, why not? The forms and in Greek and English and so is the handbook!
3. Have you checked your entry on the website to see if it is correct? If you find any errors in the text, you need to let us know as soon as possible, please! There are still a few bits that need translating and an intro to be written on the participants’ page.
I have been told that people’s attentions spans these days are becoming shorter and shorter which means that I will love and leave you now to get on with what you need to get on with.
Right now… we are ready for a break!
When the next post goes out, this old artist will have had a good rest and be ready for more!
Enjoy the summer weather!
If you are considering sponsorship or advertising, please contact us on email@example.com – we would welcome you with open arms! If you jump on this bandwagon now, you will grow with us in the years to come… and there will be a lot of growth!
We have reached the half-way point for registration to participate in the 2016 Cyprus Open Studios. Registrations are coming in and that creates a welcome quickening of the heart. When one starts a new venture, it is always good to see that the toiling was worth it! Thank you to those who have already registered and also to those who have indicated their intention to do so. And we have reached Larnaca!
At this stage we are waiting for the website builder to complete the module that will be displayed on the “Participants” page on the site – we had a few hiccups… As soon as he comes through, the information will be displayed.
But, meanwhile, I thought you could visit a studio – the last opportunity:
Just in case you have missed the announcement, we are encouraging participants to invite a friend from abroad whom they would host in their own home at their expense, to share their studio or workshop space. The invited guest will not pay a COS participation fee and will be the guest of Cyprus Open Studios – this means that your artists friends from abroad could enjoy a visit at very low cost. If the visitors choose to present workshops or sell any of their product, they will be the sole beneficiaries of income derived from their activities whilst participating in Cyprus Open Studios. Any costs they may incur for alternative accommodation, transportation or materials will be for their own account.
As a small bonus, do you recognise this face?
Thought you might! Oh, you didn’t? It’s Tracy Emin, of course – in her studio.
There have been a few questions from potential participants and I quote some here:
Q: What is the time period a participant is committing to?
A: COS is taking place over the FIRST FOUR weekends of October 2016. Participants will commit to opening their doors on both Saturday and Sunday of their chosen weekend(s) and be in attendance between 11.00hrs and 17.00hrs – or have a stand-in if they need to be absent for any reason.
Q: What do the numbers at the bottom of the membership form mean, i.e. 1&2, 8&9, etc.?
A: Those are the dates of the weekends you may participate. You need to tick the box(es) for the weekends you choose to open your doors to the public.
Q: Is the participation fee for one weekend?
A: No! The participation fee covers the entire event, no matter how many weekends you choose to participate.
Q: Does the participation fee cover the event only?
A: No. Your entry will remain on the website until the next Cyprus Open Studios event in 2017.
Q: I am not very computer literate – is there another way I can register?
A: Yes! Send an email to firstname.lastname@example.org telling us that you wish to register OFF-LINE and we will provide you with an alternative.
Q: I don’t know how to compress files for the images – how can I send them?
A: Please do not compress image files – we need them in High Density (HD) – also known as Resolution – for publicity purposes. A minimum of 1MB would be good but not essential.
If you have questions, please ask them – we will answer as best we can.