[[ ΑNOIXTA EΡΓΑΣΤΗΡΙΑ // OPEN WORKSHOPS ]]
Κέντρο Πόλης Πάφου // Pafos City Centre
Στο πλαίσιο του προγράμματος της Κοινωνικής Συμμετοχής, στούντιο, γκαλερί και εργαστήρια χεροτεχνών και καλλιτεχνών στο κέντρο της πόλης υποδέχονται επισκέπτες και συνομιλούν μαζί τους για τον τρόπο και διαδικασία της δημιουργίας των έργων τους. Θα κυκλοφορήσει σχετικός οδηγός.
*Με τη συνεργασία των Cyprus Open Studios.
Within the context of the Community Involvement programme, studios, galleries, and art and crafts workshops in the town centre, welcome visitors and chat with them about the method and process of creating their artworks. Α map will be published with each location.
**With the cooperation of Cyprus Open Studios.
COS will occupy a vacant shop (08 on the map) where 8 members will be interacting with the public and introduce people to the world-wide open studio concept. Our beloved Cyprus is a small – but perfectly formed! – island in the Eastern Mediterranean, far, far away from the hustle and bustle of big time art dealing in major centres of the world. For that reason we, at Cyprus Open Studios (COS), are ‘taking the mountain to Mohammed’ by creating a portal for artists to exhibit abroad.
Due to the OPEN WORKSHOPS event, the COS organisers have decided to
keep registration OPEN until 20 June 2017.
Cyprus Open Studios (COS) are proud to have been instrumental in introducing six Cyprus-based artists, first to the selection at the Royal Academy of Arts in London and, traditionally, on to the Salon des Refuses when not selected by the RA. The latter opened on 1 June and will close tomorrow, 4 June 2017 – we wish them all the very best of luck! Next year, we will do it all again. If you are interested, please contact us on email@example.com
Here are a few shots taken at the opening night at the Salon des Refuses exhibition:
Enormous thanks to Marina Emphietzi-Harris for her hard work in putting it all together. Without you, this would not be possible!
The annual open studios events all over the world provide the means for self-guided tours of artist studios and workshops, totally free of charge to the public. This art-loving and art-buying public enjoys one-on-one exchanges with creative people and appreciate learning more about what inspires the creators of the pieces they particularly like – and may buy. They are fascinated by demonstrations of techniques and enjoying some refreshments at the same time.
You may wonder why we do what we do. Well, I asked myself that same question just yesterday!
The answer was quite simple: to serve those who take the trouble to share the manifestation of their hopes and dreams in the form of their creations, and the second part of the answer: to serve an appreciative public who respect what you do and are taking the trouble to pay you a visit!
It also gives us the opportunity to collaborate with organisations such as PAFOS2017 and Cyprus Tourist Organisation as well as other respected people island-wide. Don’t you think that’s exciting? Your name and what you do become better known in the process.
BUT… here’s the catch: You need to register as a member of Cyprus Open Studios by 30 April 2017.
Here are some benefits of becoming a member of COS – Cyprus Open Studios
* A website entry – a page of your own – on the site with 8 images of your work, directions and a map to find you, your artist statement, as well as your detailed CV if you wish it to be included
* Publicity over all media, newspapers, magazines, radio and television
* Publicity abroad in art and culture publications and travel magazines
* Being featured in the printed catalogue with 1 image, again on a page of your own – not only distributed locally, but also published on a global publishing platform … the entire year of your membership – and beyond. Valuable beyond measure!
* Gaining recognition is critical to being or becoming a professional artist or artisan
* Signage to guide visitors to your studio or workshop
* Networking opportunities with fellow members
* You gain exposure to the art-loving and art-buying public
* You take 100% of the direct sales of your artwork as well as the proceeds of any commissions you gain
* Be a part of the larger community and meet other artists from all over the island and abroad
* You have the opportunity to build your vein of gold: your mailing list!
* COS serves as an inspiration to create new work every year and to interact with a deeply admiring public – yes, they love it! Hundreds of open studio events worldwide are proof of that!
Cyprus Open Studios have also negotiated with galleries in Larnaca, Limassol, Nicosia and Paphos to host Cyprus Open Galleries – register as a member under Cyprus Open GALLERIES and you stand a chance of being part of a curated exhibition in one of four or five well-respected galleries island-wide. The fee is incredibly low for a curated exhibition!
Over and above this, we also assist artists – physically – to exhibit abroad. Six hopefuls applied for the Royal Academy of Arts Summer Show, and whilst they were not accepted, they now go on to the Salon des Refuses exhibition, also in London. Marina Emphietzi works tirelessly to promote you and your work in London. There are other venues lined up, still in negotiating stages, but if you are serious about what you do, we can help you widen your platform. The intention is to show elsewhere in Europe throughout the year of your membership.
Lastly, the winner of the 2016 COS Prize Draw came to claim her prize. She chose to put the €150,00 voucher, sponsored by art-en-route-cyprus.com, towards a sculpture made by Karen Betts of Artemis Studios. Here are some happy faces on the occasion:
Karen Betts, Terri Cook and Maria Etheridge at Artemis Studios with Aphrodite’s Tail
Cyprus Open Studios run a free prize draw during the month of October whereby visitors collect signatures from four separate studio locations to qualify. The completed form goes into a big bag and an impartial observer publicly pulls out the name of the lucky winner of the Gift Voucher. This year, it will once again be sponsored by art-en-route-cyprus.com, a directory website for all artists living and working in Cyprus, some of whom are participants in Cyprus Open Studios.
Collaborating with Pafos2017 for a one day event in June for COS members – more next time.
The opportunity to use empty shops as studios for those who do not have their own studios and wish to participate anyway. We are in the process of negotiating with Pafos2017 in this regard.
Sometimes it does help to trawl through stuff on the internet! Often I think that I’m wasting time by sitting and reading what others have written, but more often than not, I pick up really useful tips and tricks.
This blog post came right up to scratch as we at Cyprus Open Studios have just started the on-line registration process for our second year. We are trying to learn as much as possible from others who have been there before – this one is a diamond:
Everyone who is interested in art will have pursued their interest by visiting museums, galleries, street art fairs, open studios, or someplace where they could feast their eyes on the magic that is art.
Let’s consider art as magic. Firstly, magicians do sometimes appear out of a puff of smoke but how long has it taken that magician to create that magic trick? It was first a thought, then the work began to manifest that thought into reality. After much hard work and many mistrials, the magician goes ahead and charms the audience who responds with oohs and aahs. What we often forget is that the trick may have taken years to perfect.
Art is magic. The artist walked the exact same path as the magician by first dreaming about making the piece of art you are looking at and has probably taken quite a long time arriving at the point of showing it. Possibly even years of study, with mounting student loans and burning the candle at both ends, but in the end, there it was – magic manifested.
All over the world artists, makers and creators share their magic with those who admire not only the end product, but also the making of such magic. There are many who aspire also to create such magic. Not the same magic though; a trick is only a trick when no one else can do it. But those who wish to make their own magic go ahead and do their years of study and hard work and experience mistrials until they are able to share their own kind of magic with others.
Here in Cyprus there are many magicians who create their own form of magic: ART, manifested in paintings, sculpture, mosaics, glass work, jewellery, ceramics – oh, too many to name here. If you happened to have been in Cyprus during the month of October, you will have had the opportunity to see how this magic was made. Cyprus Open Studios 2016 ran over the first four weekends in October and if you were amongst the close-to-2000 visitors to the artists’ studios and work spaces across the island, you were some of the lucky ones who could meet these magicians.
If you were not so lucky to be visiting our Island of Love during this period, do not despair – it will happen again in October 2017 and it will be even bigger and better and more magical than Cyprus has ever seen. It’s not every day you get to talk to an artist about their work and their process, especially in the place where they make their work. We think it is magical. We trust that you will agree.
There are plans in the pipeline to make our second year of Cyprus Open Studios truly magical. It is a very important year for Cyprus, and especially for Paphos, the 2017 European Capital of Culture, twinned with Aarhus in Denmark. Expect works of art in every imaginable medium celebrating the rich cultural heritage of this jewel in the Mediterranean. Excitement is running at fever pitch as we are all preparing for this momentous occasion.
If you wish to be part of all this (as an artist – of just about any kind), registration for participation will open on 1 December 2016. You will be able to access the registration form on our website at http://www.cyprusopenstudios.com/index.php/en/membership – BUT … we are in the process of giving our website a face-lift which we think will knock your socks off.
And there is one really big surprise waiting in the wings. But you will have to be patient as it needs to be ready for unveiling when it has been fine tuned. Don’t forget to click on the FOLLOW button on this page so that you will get automatic updates in future.
If you wish to be part of this phenomenal occasion by sponsoring our event, we would be delighted to hear from you. Please send us an email: firstname.lastname@example.org
Angela runs the Kouklia Artworks, an Aladdin’s Cave of artistic treasures, where she represents many talented and creative people.
However, I wanted to find out a little more about the person and set out with some questions and a notebook.
Maria Etheridge: When did you start painting? Has it always been a passion or are you a ‘late bloomer’?
Angela: I can’t really remember a time when I wasn’t sketching and painting, in fact I can remember drawing on my bedroom wall, and indeed, on the classroom floor when at Infants’ School – so I guess it’s always been a compulsion with me. I went to art school many years ago – back in the ‘70s – Leamington Spa, but then followed the family trend and pursued what appeared to be a ‘safer’ career in Social Work. However, my artwork has been a real bonus in working with people, so ‘it has always been there’, as part of my working life. I have used my art professionally throughout my career, without the specific title ‘Art Therapy’.
I suppose I may be referred to as ‘A Hobbyist’ by some. However, now having time to develop, I enjoy an excellent turnover of sales and demand, therefore let’s hear it for ‘The Hobbyists’ as it is possible to enjoy a great deal of success and recognition.
M: Do you only use acrylics or do you work with other mediums too?
A: I will use any medium. For portraiture I prefer oils, but have produced work in watercolours, pastels, and colour pencils, plus other media. I use acrylics for my ‘series’ paintings as I find it the fastest medium, and some of these paintings are very detailed, and require an amount of ‘easy layering’. My caricatures are pencil sketched, scanned to the computer, and colour applied with a ‘digital’ palette.
Drums, a portrait, and two from ‘Cyprus Life’ series
M:What do you believe is the key element in creating a good composition?
A: This so much depends on the subject. I’m aware of all the formal ‘rules’ – however, for me there must be ‘points of interest’ which draw the eye to different parts of the whole. If there is space, this too should bring ‘something to the plate’. I look for light and depth, and a composition which ‘tells a story’ or stands in its own right as a single item.
M: You have created series of paintings under the headings of Cyprus Life, The Professionals, Musicians in Hats and so forth. Could you tell us a little more about each series?
A: When I first came to Cyprus I followed the usual route of seascapes, sunsets, doors, etc. – there was inspiration at every turn, together with the ‘time to do it’. However, being among ‘the people’ and listening to their stories, I found a catalyst which lead to the Cyprus Life series, all of which are the result of things which I have observed, or things which have been said, around me. I believe I have a good sense of humour and can usually see the amusing side of life, therefore the style appealed more and more, both to myself, and as it turned out, to ‘the market’ which spurred me on to capture the continuously appearing material onto canvas. I discovered that I was actually smiling whilst I painted and new ideas emerged.
Foreign Delegates, the latest one, a local inhabitant, and a Stormy Kouklia Sunset
From this came the Professionals – having realised that I had ‘a style’ which people appeared to enjoy – I was inspired by stories from a number of people in different professions – and having painted ‘Yes, Chef’ (because we were once involved with the Hospitality trade) – I decided to expand on this. Like Cyprus Life – some of the paintings have real people in them, some don’t but for the Professionals series I always take advice as to how far I can ‘push the boundaries’ and still remain credible.
I am an amateur musician and wanted to create a series to celebrate this. It’s a very different style to my other series, because the focus is different, i.e. I was particularly interested in encompassing lighting, posture, and the interaction between the instrument and the musicians’ hands – hence just the ‘tilt of a hat’ and no face. Having started with the series, people commissioned pieces with specific instruments in the same style – so the collection grew.
I then did a ‘Family Group’ commissioned painting for a customer in UK, in a similar style, and have since been commissioned for these highly detailed and personalised paintings.
There are paintings and prints from these series now hanging all over the world, and I often take orders through the Kouklia Arts website which are delivered direct. Many images work well as merchandise, so they are printed onto mugs, key rings, fridge magnets etc., my theory being that if you like the image, then you can buy it at a range of prices and in a number of forms – but there is only one original!
M: Your paintings seem to have a humoristic twist and are expressed in naïve style. Would you like to expand on that?
A: The style is just how they ‘come out’ – nothing thought through or contrived. In fact, the figures are often slightly out of proportion, but it appears to work. I don’t usually have references for these pictures – just the overall concept and ‘shape of composition’, so each is a journey and most of the figures and faces present themselves to me as the work develops.
For the Professionals I do a good deal of research to ensure that details are correct, although they may well then be distorted to suit the humour of the work.
I get great delight from the ‘license’ which these subjects give me, i.e. I look at the clock on the operating theatre wall and think: ‘Hmmm – what to do with that’? Like many offices, they may have left behind a Christmas decoration or two, and in a hospital setting, this may well be a blown up latex glove, so in goes the glove, holly and ribbon.
Sometimes people say my paintings remind them of ‘Beryl Cook’ style, although I say my style is very much ‘Beryl Cook meets Giles’, which would make sense as I used to pour over the Daily Mail Giles cartoon books for hours, enjoying the depiction of the interaction between people, and the little details that you don’t initially notice.
M: Do you use other styles of expression such as abstract, still life, or any other?
A: I have a wide range of works including still life, abstract, and much more – some of which are on display in the studio. The demand to develop new images in the cartoon painting style means that other subjects are rare for me nowadays.
I take great delight in painting trompe l’oeil, (trick of the eye) and have painted on several walls in Kouklia. I have also ‘reverse glass painted’ a series of ‘stained glass’ windows in Konia.
I also create digital pictures which I have transformed into two animated movies ‘(The Adventures of Noggin Clontith). I have written and illustrated children’s books, namely The Adventures of Noggin Clontith, Cyber-Gran, Olivia and the Dinosaur, and The Adventures of Padistan Bear.
I have been very pleased to create props, staging and backdrops for Kouklia school and Youth Club plays, and a number of Taverna signs around the village.
M:Tell us a little more about your charity work, especially with regards to the cats. And how you raise funds and awareness, please?
A: Ah, the cats – actually, I wasn’t really a cat person before coming to Kouklia, but there they were – just everywhere, and we found kittens needing shelter – so off it went – cat rescue, both at home and the studio. Then I met Cynthia Smith, from Mandry’s Fund charity, and became involved in the Trap Neuter Release programme. We have an ideal location at the studio, and cats gather each day for feeding, so we are able to trap them for neutering.
We sell second hand books at the Gallery to raise money for the charity, plus I have painted a picture especially (Caterwaul) for the Cat Charities, for which they have the copyright, and can create merchandise to sell. I am currently doing the same for the dogs.
I’m also involved as an advisor / consultant with the Aiya Napa / Famagusta Autism Parents group, who are incredibly driven, and are working toward the first residential and respite Autism unit in Cyprus. I have pledged to create a specific merchandising image, for them also.
Indeed, I am a very busy person, having Management and Autism as key specialities. I am involved with a 3 year EU funded project developing Parent Training in 4 European Countries, which takes me to some interesting places. I am also delivering Soft Skills training, again EU funded, in other parts of Europe including Cyprus, plus Management training in Abu Dhabi, so there is not a great deal of down time.
M: You are participating in, and are hosting five other artists for the Cyprus Open Studios. Please tell us if the public should be aware of any particular points that will make their visit to Kouklia Artworks as pleasant as possible. How easy is parking, for instance? And what should they be looking out for as landmarks.
A: I am really thrilled at the team who will be exhibiting for Cyprus Open Studios! Between us there is a range of works and styles, and all of us are ‘on our journeys of development’, and therefore it is interesting to see how people have varied their subject matter over time.
A taste of the other participants at Kouklia’s work
As well as paintings, visitors can see a range of other items produced by the artists.
At one time the Capital City of Cyprus, Kouklia is a destination village, boasting Aphrodite’s Temple, the medieval fort museum and a ‘real feel’ of Cypriot Culture. There are a number of Tavernas where you can sit and watch village life, and enjoy good food and wine.
The Studio / Gallery is situated just off Kouklia Square, in a building which, I believe we have ‘authentically’ restored, between Sophia’s and Gabriel’s Tavernas. There is a main car park just before the square, or near the Temple entrance.
M:And how long have you operated in Kouklia?
A: Kouklia Artworks was established 3 years ago, and provides the opportunity for Artists and Crafters from as far away as Nicosia to Polis to display and sell their work. We have a number of different nationalities, producing a variety of styles and products.
There is a small classroom to the rear of the Gallery, where I give painting / drawing and other classes to both children and adults.
M: As one of the organisers of Cyprus Open Studios, I wish you and your fellow participants great success in this year’s event – we are planning to make next year’s event bigger and better! Thank you, Angela.
Ed.~ To see all the participants in Cyprus Open Studios, please visit our website, download the catalogue and do a final check of the revised 2016 schedule – all on the website: www.cyprusopenstudios.com And don’t forget to get your entry form signed by four participants (in different locations) to stand a chance to win a voucher for €150,00 sponsored by www.art-en-route-cyprus.com – and have fun!
Please note that all images are subject to copyright laws and copying may result in legal action. Permission to reproduce images must be obtained from the authors mentioned in this post.
Publishing is a painful experience… especially a website!
If you are an author, or have a friend who is one, you will either know – or have been told – that getting anything ready for publication is a painful exercise. Getting something ready for a website is no less painful – in fact, I think it is even more painful as you have to engage in combat with an electronic entity that only exists in the ether. And then there is the language that is entirely invented and has no roots anywhere. On top of that, those who claim to be experts use a jargon only known to the in-crowd.
Another by-product is acquiring square eyes… not to mention the painful neck and back!
Yes, I have been through the mill since January, the learning curve almost impossible to navigate as it was so steep. I have learned though! I’m quite proud for someone of my seniority to have accomplished the feat of preparing the Cyprus Open Studios website.
No, I didn’t do it alone – Daniel Economou prepared the ground and I am grateful. Especially sometimes when I felt like ‘curling’ up and dying…Without his help I would still be at the bottom of the hill… And next year, it will take on a whole new life – we have plans!
I would also like to say a huge THANK YOU to my two partners, Nora Hadjisotiriou and Marina Emphietzi-Harris for the translations and the work they have put in so far. We have a long way to go before we can sit back and enjoy the fruits of our labours in the form of watching visitors arriving at the artists’ studios in October.
We can dream, can’t we?
Right now, we are excited and fairly happy with the response we have had for this year’s event – you can view all the participants on the website in both English and Greek: www.cyprusopenstudios.com
There are still people out there who have no idea what we are about. This is now your job: tell people about us and what we do! Word of mouth is a wonderful advertising tool. We would like Cyprus to be abuzz with art talk, especially during the month of October. We want lots and lots of visitors to stream through our studios and work spaces and other venues where we are set up and working – we want to tell the world just how marvellous we are!
Tell the world! Tell the world!
A few technical points need to be covered:
1. Have you studied the COS Participant Handbook? Please do – there are numerous tips and tricks to help you make your event a better one.
2. Have you printed out the forms (advertising and sponsorship) and started approaching people who are interested in becoming involved in the largest art happening-to-be in Cyprus? If not, why not? The forms and in Greek and English and so is the handbook!
3. Have you checked your entry on the website to see if it is correct? If you find any errors in the text, you need to let us know as soon as possible, please! There are still a few bits that need translating and an intro to be written on the participants’ page.
I have been told that people’s attentions spans these days are becoming shorter and shorter which means that I will love and leave you now to get on with what you need to get on with.
Right now… we are ready for a break!
When the next post goes out, this old artist will have had a good rest and be ready for more!
Enjoy the summer weather!
If you are considering sponsorship or advertising, please contact us on email@example.com – we would welcome you with open arms! If you jump on this bandwagon now, you will grow with us in the years to come… and there will be a lot of growth!
Surprisingly, there are still people who are not familiar with the Open Studios concept and for your convenience, here is a brief explanation.
What is Open Studios?
A studio or workspace is the place in which artists engage with the act of creation. This space can be sacrosanct to the artist and to be invited in is almost an act of exposing one’s deepest emotions in the village square. It can be uplifting but can also be crushing – it depends entirely on the reaction of the invited guests.
The beautiful bohemian artist studio and Home of Fia Cielen, Antwerp
This place of creation – or studio – is the space where the artist fights those demons that constantly try to make one feel inadequate, worthless, disappointing, ordinary and downright useless! It is also the space where those demons are slaughtered and put in their place. This can be earth-shatteringly climactic and the artist wishes to share the victory with those who enter into the demon-slayer’s den.
Thus, the viewer is invited to share the artist’s space, to revel in the outcome of the battle and celebrate the victory. Sometimes these victories are small and at other times, the artists wish to shout their joy from the rooftops. It is up to you, the viewer, to assist in this celebration and the artist, in good faith, opens the studio doors to let you enter.
Newly created Cyprus Open Studios – www.cyprusopenstudios.com – replaces the previous Open Studios CY which operated between 2006 and 2011. The new Cyprus Open Studios is in no way related to or connected with the previous organisation or its organisers. It has been created, and is managed by, Maria Etheridge, Marina Emphietzi-Harris and Nora Hadjisotiriou. Maria was passionately involved in previous years, Marina has a rock-solid track record and Nora has a vast knowledge of Public Relations and Marketing.
Those interested in participating, please go to the website: www.cyprusopenstudios.com. Click the Membership, fill out the registration form and submit as soon as possible.
*** Registration will close on 30 April 2016. ***
It is also envisaged to create an on-line shop on the website where participants will be able to sell their art, but this will take a little time to set up – watch that space! It should all be in place by October.
For further information, please make contact on firstname.lastname@example.org
For English : Maria Etheridge – +357 99 512 959
For Greek : Marina Emphietzi-Harris – +357 99 341 726
Παραδόξως, υπάρχουν ακόμα άνθρωποι που δεν είναι εξοικειωμένοι με την έννοια Open Studios και για την καλύτερη εξυπηρέτησή σας, εδώ είναι μια σύντομη εξήγηση.
Τι είναι τa Open Studios;
Ένα στούντιο ή χώρος εργασίας είναι ο τόπος στον οποίο οι καλλιτέχνες συμμετέχουν με την πράξη της δημιουργίας. Ο χώρος αυτός μπορεί να είναι ιερoς και απαραβίαστος για τον καλλιτέχνη και για να ανοικτει σε επισκεπτες είναι σχεδόν μια πράξη εκθεσης των βαθύτερων συναισθήματά του διαμεσου της πλατείας του χωριού. Μπορεί να είναι ενθαρρυντική, αλλά μπορεί επίσης να είναι σύνθλιψη – αυτό εξαρτάται εξ ολοκλήρου από την αντίδραση των προσκεκλημένων.
Αυτό το μέρος της δημιουργίας – ή στούντιο – είναι ο χώρος όπου ο καλλιτέχνης παλεύει τους δαίμονες που προσπαθούν συνεχώς να τον κανουν να αισθανθεί ανεπαρκή, άνευ αξίας, απογοητευτικο, αοπλο και εντελώς άχρηστο! Επίσης, είναι ο χώρος όπου αυτοί οι δαίμονες έχουν σφαγεί και μπει στη θέση τους. Αυτό μπορεί να είναι ακρως συνταρακτικο αλλα ο καλλιτέχνης επιθυμεί να μοιραστεί τη νίκη με εκείνους που εισέρχονται στο κρησφύγετο του δαίμονα-φονιά.
Έτσι, ο θεατής καλείται να μοιραστεί το χώρο του καλλιτέχνη, να απολαυσει την έκβαση της μάχης και να γιορτάσει τη νίκη. Μερικές φορές αυτές οι νίκες είναι μικρές και άλλες φορές, οι καλλιτέχνες θέλουν να φωνάξουν τη χαρά τους μεσα από τις στέγες. Εναπόκειται σε εσάς, τον θεατή, να βοηθήσετε σε αυτή τη γιορτή και ο καλλιτέχνης, με καλή πίστη, ανοίγει τις πόρτες του στούντιο του για να μπορεσετε να μπειτε στον κοσμο του.
Πρόσφατα δημιουργήθηκαν τα Cyprus Open Studios – www.cyprusopenstudios.com – που αντικαταστησαν το προηγούμενο Open Studios CY το οποίο λειτούργησε από το 2006 έως και το 2011. Τα νέα Open Studios σε καμία περίπτωση δεν σχετίζονται ή συνδέονται με την προηγούμενη οργάνωση ή τους διοργανωτές της. Έχει δημιουργηθεί και διευθύνεται από την Maria Etheridge, Νόρα Χατζησωτηρίου και την Μαρίνα Emphietzi-Harris. Η Μαρία συμμετείχε στα προηγούμενα Open studios και η Μαρίνα έχει δυνατες γνωσεις ως προς την οργανωση τετοιων εκδηλωσεων. Η Νόρα έχει μια απέραντη γνώση των Δημοσίων Σχέσεων και Μάρκετινγκ
Τα Cyprus Open Studios θα λάβουν χώρο κατά την διαρκεια των τέσσερων Σαββατοκύριακων του Οκτωβρίου 2016. Όσοιενδιαφέρονται να συμμετέχουν, παρακαλούμεεπισκεφθείτε το δικτυακό τόπο:www.cyprusopenstudios.com. Κάντε κλικ το ιδιότητα του μέλους και συμπληρωστε το έντυπο εγγραφής το οποιο και πρεπει να υποβληθη το συντομότερο δυνατό.
*** Οι εγγραφές θα κλείσουν στις 30 Απριλίου το 2016 ***
Προβλέπεται επίσης να δημιουργηθεί ένα on-line κατάστημα στην ιστοσελίδα, όπου οι συμμετέχοντες θα έχουν τη δυνατότητα να πωλούν την τέχνη τους, αλλά αυτό θα πάρει κάποιο χρόνο – παρακολουθήσετε αυτό το χώρο!